Much of my work is concerned with social inequality along both national and global fronts. My imagery explores historical moments. Moments that celebrate the beauty of a people or the necessary light upon violence against humanity, in its many forms, with special attention to the plight of women and children. Through research, I engage with the past and use my art to give a public and present voice to those whose voices have been silenced or just plainly, ignored. Although I am well known for my collage-based work, I implement a wide variety of media to manifest my work. My work is rarely conceived as a single piece, but is instead imagined as an entire body of work around a central theme, such as the 32 pieces in Hooded Truths (2014), which also includes installation and performance. In addition, I make use of text and performance in my work to strengthen the voice. My practice is socially engaged, personally, in my interaction and collaboration with other artists, and politically, in my activism through my work.